WebHelp:MP3 Encoding Settings: Difference between revisions
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(Created page with " {{WebHelpHeader|MP3 Encoding Settings}} To configure MP3 encoding options, click the '''Settings''' button in the Virtual CD Configuration dialog, the Convert Audio Format dialog, or the Rip Audio CD dialog. MediaMonkey has a broad range of MP3 encoding options, allowing you to choose from a range of optimized preset configurations, or to set encoding options manually. What follows is a description of each of the presets, to help you choose the setting that's right fo...") |
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[[Main Page|Wiki Home]] > [[{{WebHelp:Links|Content}}|MediaMonkey 2024 Help]] > [[WebHelp:Reference_Information|Reference Information]] > About Media File Properties | |||
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{{WebHelpHeader|MP3 Encoding Settings}} | |||
{| | To configure MP3 encoding options, click the '''Settings''' button after selecting MP3 as Format to be converted to. | ||
| width="11%" | '''Preset''' | [[File:Wiki-MM2024 MP3 Settings window.png|center|alt=MP3 settings window|MP3 settings window]] | ||
| width="7%" | '''Quality''' | |||
| width="13%" | '''Bandwidth''' | MediaMonkey has a broad range of MP3 encoding options, allowing you to choose from a range of optimized preset configurations, or to set encoding options manually. What follows is a description of each of the presets, to help you choose the setting that's right for you. | ||
| width="69%" | '''Recommendation''' | |||
|- | |||
{| cellspacing="0" cellpadding="2" border="1" align="Default" width="100%" | |||
| width="11%" align="center" style="background:#ffce93;font-size:120%;" | '''Preset''' | |||
| width="7%" align="center" style="background:#ffce93;font-size:120%;" | '''Quality''' | |||
| width="13%" align="center" style="background:#ffce93;font-size:120%;" | '''Bandwidth''' | |||
| width="69%" align="center" style="background:#ffce93;font-size:120%;" | '''Recommendation''' | |||
|- style="background:#f4f4f4; | |||
| width="11%" | Compatible, <br />CBR 96 kbps | | width="11%" | Compatible, <br />CBR 96 kbps | ||
| width="7%" | Fair | | width="7%" | Fair | ||
| width="13%" | Low, inefficient | | width="13%" | Low, inefficient | ||
| width="69%" | Useful if MP3s are to be played on a low storage capacity portable/device that is incompatible with VBR formats. | | width="69%" | Useful if MP3s are to be played on a low storage capacity portable/device that is incompatible with VBR formats. | ||
|- | |- | ||
| width="11%" | Compatible, <br />CBR 128 kbps | | width="11%" | Compatible, <br />CBR 128 kbps | ||
| width="7%" | Average | | width="7%" | Average | ||
| width="13%" | Low, inefficient | | width="13%" | Low, inefficient | ||
| width="69%" | This preset is fairly popular despite the average quality level, mainly because quality is adequate and it can be played on low memory portable/devices that are incompatible with VBR formats. | | width="69%" | This preset is fairly popular despite the average quality level, mainly because quality is adequate and it can be played on low memory portable/devices that are incompatible with VBR formats. | ||
|- | |- style="background:#f4f4f4; | ||
| width="11%" | Compatible, <br />CBR 160 kbps | | width="11%" | Compatible, <br />CBR 160 kbps | ||
| width="7%" | Good | | width="7%" | Good | ||
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| width="13%" | Medium, efficient | | width="13%" | Medium, efficient | ||
| width="69%" | Recommended for encoding MP3s at a high quality level, at which only some users will be able to distinguish it from the original. It encodes slightly faster than the Medium preset, but at a slightly reduced quality level. | | width="69%" | Recommended for encoding MP3s at a high quality level, at which only some users will be able to distinguish it from the original. It encodes slightly faster than the Medium preset, but at a slightly reduced quality level. | ||
|- | |- style="background:#f4f4f4; | ||
| width="11%" | Medium, <br />VBR ~160 kbps | | width="11%" | Medium, <br />VBR ~160 kbps | ||
| width="7%" | High | | width="7%" | High | ||
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| width="13%" | High, inefficient | | width="13%" | High, inefficient | ||
| width="69%" | Useful for encoding MP3s at a high quality level when the MP3s are to be played on a device that is incompatible with VBR formats. | | width="69%" | Useful for encoding MP3s at a high quality level when the MP3s are to be played on a device that is incompatible with VBR formats. | ||
|- | |- style="background:#f4f4f4; | ||
| width="11%" | Standard (fast), <br />VBR ~192 kbps | | width="11%" | Standard (fast), <br />VBR ~192 kbps | ||
| width="7%" | Very High | | width="7%" | Very High | ||
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| width="13%" | High, efficient | | width="13%" | High, efficient | ||
| width="69%" | Recommended for encoding MP3s at very high quality levels, at which only a small proportion of listeners will be able to distinguish it from the original. | | width="69%" | Recommended for encoding MP3s at very high quality levels, at which only a small proportion of listeners will be able to distinguish it from the original. | ||
|- | |- style="background:#f4f4f4; | ||
| width="11%" | Extreme (fast), <br />VBR ~256 kbps | | width="11%" | Extreme (fast), <br />VBR ~256 kbps | ||
| width="7%" | Near CD | | width="7%" | Near CD | ||
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| width="13%" | Very High, efficient | | width="13%" | Very High, efficient | ||
| width="69%" | Recommended for encoding MP3s at near-CD quality levels for very discriminating music listeners (with plenty of hard disk space). Only a very small proportion of listeners will be able to distinguish these MP3s from the original. | | width="69%" | Recommended for encoding MP3s at near-CD quality levels for very discriminating music listeners (with plenty of hard disk space). Only a very small proportion of listeners will be able to distinguish these MP3s from the original. | ||
|- | |- style="background:#f4f4f4; | ||
| width="11%" | Insane, <br />CBR 320 kbps | | width="11%" | Insane, <br />CBR 320 kbps | ||
| width="7%" | Highest | | width="7%" | Highest | ||
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| width="13%" | Very low, fairly efficient, predictable | | width="13%" | Very low, fairly efficient, predictable | ||
| width="69%" | Useful for low quality recordings, when bandwidth used needs to be constrained to a predetermined average. | | width="69%" | Useful for low quality recordings, when bandwidth used needs to be constrained to a predetermined average. | ||
|- | |- style="background:#f4f4f4; | ||
| width="11%" | Short Wave, <br />ABR ~24 kbps mono | | width="11%" | Short Wave, <br />ABR ~24 kbps mono | ||
| width="7%" | Poor | | width="7%" | Poor | ||
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| width="13%" | Very low, fairly efficient, predictable | | width="13%" | Very low, fairly efficient, predictable | ||
| width="69%" | Useful for low quality recordings, when bandwidth used needs to be constrained to a predetermined average. | | width="69%" | Useful for low quality recordings, when bandwidth used needs to be constrained to a predetermined average. | ||
|- | |- style="background:#f4f4f4; | ||
| width="11%" | Voice, <br />ABR ~56 kbps mono | | width="11%" | Voice, <br />ABR ~56 kbps mono | ||
| width="7%" | Fair | | width="7%" | Fair | ||
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| width="13%" | Low, fairly efficient, predictable | | width="13%" | Low, fairly efficient, predictable | ||
| width="69%" | Useful for average quality music recordings, when bandwidth used needs to be constrained to a predetermined average. | | width="69%" | Useful for average quality music recordings, when bandwidth used needs to be constrained to a predetermined average. | ||
|- | |- style="background:#f4f4f4; | ||
| width="11%" | Hifi, <br />ABR ~160 kbps | | width="11%" | Hifi, <br />ABR ~160 kbps | ||
| width="7%" | High | | width="7%" | High | ||
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| width="69%" | Useful for high quality music recordings, only when bandwidth used needs to be constrained to a predetermined average. Otherwise, the Medium or Medium (fast) presets are preferable. | | width="69%" | Useful for high quality music recordings, only when bandwidth used needs to be constrained to a predetermined average. Otherwise, the Medium or Medium (fast) presets are preferable. | ||
|- | |- | ||
| width="11%" | | | width="11%" | Near-CD ,<br />ABR ~192 kbps | ||
| width="7%" | Very High | | width="7%" | Very High | ||
| width="13%" | High, fairly efficient, predictable | | width="13%" | High, fairly efficient, predictable | ||
| width="69%" | Useful for very high quality music recordings, only when bandwidth used needs to be constrained to a predetermined average. Otherwise, the Standard or Standard (fast) presets are preferable. | | width="69%" | Useful for very high quality music recordings, only when bandwidth used needs to be constrained to a predetermined average. Otherwise, the Standard or Standard (fast) presets are preferable. | ||
|- | |- style="background:#f4f4f4; | ||
| width="11%" | Studio, <br />ABR ~256 kbps | | width="11%" | Studio, <br />ABR ~256 kbps | ||
| width="7%" | Near CD | | width="7%" | Near CD | ||
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|} | |} | ||
== Related | == Related == | ||
[[{{WebHelp:Links|Basic Concepts}}|Digital Ripping and Digital Audio Compression Formats]] | * [[{{WebHelp:Links|Basic Concepts}}|Digital Ripping and Digital Audio Compression Formats]] | ||
* [[{{WebHelp:Links|Adding_Audio_Tracks_&_CDs}}|Adding Audio Tracks and CDs]] | |||
{{WebHelpFooter}} | |||
Latest revision as of 20:53, 6 May 2024
Wiki Home > MediaMonkey 2024 Help > Reference Information > About Media File Properties
To configure MP3 encoding options, click the Settings button after selecting MP3 as Format to be converted to.

MediaMonkey has a broad range of MP3 encoding options, allowing you to choose from a range of optimized preset configurations, or to set encoding options manually. What follows is a description of each of the presets, to help you choose the setting that's right for you.
Preset | Quality | Bandwidth | Recommendation |
Compatible, CBR 96 kbps |
Fair | Low, inefficient | Useful if MP3s are to be played on a low storage capacity portable/device that is incompatible with VBR formats. |
Compatible, CBR 128 kbps |
Average | Low, inefficient | This preset is fairly popular despite the average quality level, mainly because quality is adequate and it can be played on low memory portable/devices that are incompatible with VBR formats. |
Compatible, CBR 160 kbps |
Good | Medium, inefficient | Useful for encoding MP3s at a decent quality level when the MP3s are to be played on a device that is incompatible with VBR formats. |
Medium (fast), VBR ~160 kbps |
High | Medium, efficient | Recommended for encoding MP3s at a high quality level, at which only some users will be able to distinguish it from the original. It encodes slightly faster than the Medium preset, but at a slightly reduced quality level. |
Medium, VBR ~160 kbps |
High | Medium, efficient | Recommended for encoding MP3s at a high quality level, at which only some users will be able to distinguish it from the original. |
Compatible, CBR 192 kbps |
High | High, inefficient | Useful for encoding MP3s at a high quality level when the MP3s are to be played on a device that is incompatible with VBR formats. |
Standard (fast), VBR ~192 kbps |
Very High | High, efficient | Recommended for encoding MP3s at very high quality levels, at which only a small proportion of listeners will be able to distinguish it from the original. It encodes slightly faster than the Standard preset, but at a slightly reduced quality level. |
Standard, VBR ~192 kbps |
Very High | High, efficient | Recommended for encoding MP3s at very high quality levels, at which only a small proportion of listeners will be able to distinguish it from the original. |
Extreme (fast), VBR ~256 kbps |
Near CD | Very high, efficient | Recommended for encoding MP3s at near-CD quality levels for very discriminating music listeners (with plenty of hard disk space). Only a very small proportion of listeners will be able to distinguish these MP3s from the original. Note that it encodes slightly faster than the Extreme preset, but at a slightly reduced quality level. |
Extreme, VBR ~256 kbps |
Near CD | Very High, efficient | Recommended for encoding MP3s at near-CD quality levels for very discriminating music listeners (with plenty of hard disk space). Only a very small proportion of listeners will be able to distinguish these MP3s from the original. |
Insane, CBR 320 kbps |
Highest | Insanely high, inefficient | Recommended for encoding MP3s at the highest level possible. It's for very discriminating music listeners (with hard disk space to burn). Only a very small proportion of listeners will be able to distinguish these MP3s from the original. |
Phone, ABR ~16 kbps mono |
Poor | Very low, fairly efficient, predictable | Useful for low quality recordings, when bandwidth used needs to be constrained to a predetermined average. |
Short Wave, ABR ~24 kbps mono |
Poor | Very low, fairly efficient, predictable | Useful for low quality recordings, when bandwidth used needs to be constrained to a predetermined average. |
AM, ABR ~40 kbps mono |
Poor | Very low, fairly efficient, predictable | Useful for low quality recordings, when bandwidth used needs to be constrained to a predetermined average. |
Voice, ABR ~56 kbps mono |
Fair | Very low, fairly efficient, predictable | Useful for fair quality voice recordings, when bandwidth used needs to be constrained to a predetermined average. |
Tape, ABR ~112 kbps |
Average | Low, fairly efficient, predictable | Useful for average quality music recordings, when bandwidth used needs to be constrained to a predetermined average. |
Hifi, ABR ~160 kbps |
High | Medium, fairly efficient, predictable | Useful for high quality music recordings, only when bandwidth used needs to be constrained to a predetermined average. Otherwise, the Medium or Medium (fast) presets are preferable. |
Near-CD , ABR ~192 kbps |
Very High | High, fairly efficient, predictable | Useful for very high quality music recordings, only when bandwidth used needs to be constrained to a predetermined average. Otherwise, the Standard or Standard (fast) presets are preferable. |
Studio, ABR ~256 kbps |
Near CD | Very high, fairly efficient, predictable | Useful for encoding MP3s for very discriminating music listeners, only when bandwidth used needs to be constrained to a predetermined average. Otherwise, the Extreme or Extreme (fast) presets are preferable. |
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